![]() The album also included two songs co-written by Ronstadt, including one in Spanish (her first recorded foray into Spanish music, more than a decade before she released her first fully-Spanish album). The album included a cover of a cover: "The Tattler" by Washington Phillips, which Ry Cooder had re-arranged for his 1974 album Paradise and Lunch. The album showcased songs from artists such as Warren Zevon ("Hasten Down the Wind") and Karla Bonoff ("Someone to Lay Down Beside Me", US #42, Easy Listening #38), both of whom would soon be making a name for themselves in the singer-songwriter world. Hasten Down the Wind contained two major hit singles: Ronstadt's covers of Buddy Holly's " That'll Be the Day" (US Pop #11, Country #27) and her reworking of the late Patsy Cline's 1961 hit, " Crazy", reaching #6 on the US Country chart in early 1977. A more serious and poignant album than its predecessors, it won critical acclaim. It represented a slight departure from 1974's Heart Like a Wheel and 1975's Prisoner in Disguise in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. Ronstadt was the first female artist to accomplish this feat. Released in 1976, it became her third straight million-selling album. Another example of Ronstadt's joyous way with the hits of her youth lies in her romping version of Buddy Holly's "That'll Be the Day." While she would go on in the 1980s to famously breathe new energy into the Great American Songbook with Nelson Riddle, her now classic 70s albums have become a compendium of enduring pop/rock songwriting from a similarly fertile pool of creativity.Hasten Down the Wind is the seventh studio album by singer-songwriter Linda Ronstadt. Ronstadt confidently eases into Willie Nelson's "Crazy," putting her stamp on Patsy Cline's most emblematic hit with phrasing and a vocal timbre that are memorably distinct from Cline. The Grammy winning collection is anchored by a pair of sure-fire covers. ![]() See More Your browser does not support the audio element. Another example of Ronstadt's joyous way with the hits of her youth lies in her romping version of Buddy Holly's "That'll Be the Day." While she would go on in the 1980s to famously breathe new energy into the Great American Songbook with Nelson Riddle, her now classic 70s albums have become a compendium of enduring pop/rock songwriting from a similarly fertile pool of creativity. ![]() Bonoff is heard in the moody bookends of opener "Lose Again," and closer "Someone to Lay Down Beside Me." And Zevon's dark ballad, here turned into a gentle lament with Don Henley singing harmony, serves as the album's title track. Two major talents in the SoCal songwriting universe, Karla Bonoff and Warren Zevon, are elemental to the success of Hasten Down the Wind. After her vocals and innate gift for unerring phrasing, it's the incomparable songwriting that's allowed these records to age so gracefully. Buy the album Starting at 15,99€īy the mid-70s, Linda Ronstadt and producer Asher had achieved a consistency with her albums, becoming almost clairvoyant in mixing material from a variety of sources, in styles ranging from art house esoteric to radio ready, into a coherent whole that continued to satisfy existing fans and win enthusiastic new converts. Purchase and download this album in a wide variety of formats depending on your needs.
0 Comments
Leave a Reply. |